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“问君何能尔，心远地自偏。采菊东篱下，悠然见南山。”
悠远的意象，抑扬顿挫的诵读，在很多人的心目中，这应该是在山水间纵情的抒发，然而今天，在灯光聚焦的央视演播厅里，在数千万电视观众的聚焦下，被诵读出来。
这是一档综艺节目，名叫《中国诗词大会》。诵读者是各样普通人，但他们激发了大家对中国古典文化的情怀，也吸引了许多关注者的目光。
选手：腹有诗书气自华
作为以背诵中国古诗词为题材的节目，《中国诗词大会》的明星，是台上角逐的选手。
他们博闻强记、他们心怀唐宋。但“行走的诗词库”，就是我们推崇他们的原因么？当然不是，真正感染人的是诗歌带给他们的那种从内散发出的美。
央视《中国诗词大会》第二季总决赛冠军、高中学生武亦姝就是一个最典型的例子。有媒体称她：“满足了网友对古代才女的所有幻想。”她一身汉服，穿得飘逸出挑，诗词储备丰富，还写得一手好字。
节目中，武亦姝常常会一脸惊讶，不敢相信自己答得那么好，也会在选手都一时语塞、不知如何作答时，能另辟蹊径。人们喜欢她，不仅仅是喜欢她对古诗词的记诵能力、感悟能力，还喜欢她的性格——通俗来说，就是传统国学的审美标准。
初一学生叶飞，大概是本届诗词大会年龄最小的选手之一，他擅长用文言文写作，小小年纪就有不俗的诗词积累。记者采访他的知识背景，更让人惊讶：两岁开始读唐诗，三岁接触《三字经》《弟子规》。渐渐地，叶飞对古文书籍“情有独钟”。
博士生陈更则是选手中学历最高的。她工科出身，却满腹文才，连续好几场都是擂主，诵读诗词时，总是展现着自信的笑容，台风镇定、落落大方。她说：“从进入燕园的第一天起，我就明白了要不断成为更美好的自己，同时不失为自己。”
相比于学子，农民大姐白茹云更能代表大多数普通百姓。她的出场让许多人泪流满面。“千磨万击还坚劲，任尔东西南北风”，她有强劲的风骨、坚定顽强的精神，对诗词的热爱激励着她走向远方。
百人团中的王海军也是一样。他，年过六旬的老农民，只上了四年学，却非常热爱诗词。现在他摆摊修自行车贴补家用，修车间隙也不忘写诗，过去三年已经写了一千多首古典格律诗。对他来说，诗就像荒漠中的一抹绿色，能带给他希望和渴求。
腹有诗书气自华的他们，一起谱写了诗词舞台上的传奇，也点燃了更多人心里对古典国学的火焰。
专家：表达审美情趣和人生情趣
“一档综艺节目，只是背诵了几首诗，真的能代表国学吗？”
这是《中国诗词大会》播出期间，媒体与网络上引发的最大争论。有人表示：利用诗词进行单纯的记忆力比拼，割裂了文化的整体意境和深度内涵，并不利于诗词文化的整体传承。
针对这些声音，中央民族大学副教授、《中国诗词大会》点评嘉宾蒙曼表示：“电视节目采取比赛形式吸引公众眼球本身无可厚非。也正如武亦姝、陈更、张淼淼等选手所说：诗词不是拿来比赛的，比赛只是游戏的一种形式。他们在参赛的过程中，是享受那种‘紧张’的气氛，感受传统诗词的魅力，以及通过努力看到更美好的自己。”
蒙曼的话语，很能代表《中国诗词大会》的幕后团队对设计制作这档“另类”节目的初衷。
有人说，《中国诗词大会》之所以能引起共鸣，就是打动了中国人的一颗“诗心”。跟世界上其他任何民族相比，中华民族是最爱诗的民族。《诗经》和《楚辞》作为源头，唐诗宋词作为高峰，一直到现当代创作余风，中国人习惯以诗来表达自己的情感，表达自己的审美情趣和人生情趣。《中国诗词大会》第一季节目的内容以唐诗宋词为主，集中反映了中华文化的高峰，第二季则拓展了诗词的范围，以更广的节目内容和更深的意蕴击中了中国人内心最敏感、最柔软的地方。
蒙曼接受记者采访时说的一句话很有意思：“我们谈传统文化复兴，‘美’是先行，因为‘美’才能导出‘善’。人们需要精神上的东西，而诗和其他任何形式相比，是最属心的。”而这，正是《中国诗词大会》节目要达到的目的。
观众：开启国学文化之门的钥匙
《中国诗词大会》的播出，在观众中引发了一场“国学热”，一时间，从学校到社会；从写字楼到企业车间，大家茶余饭后的话题，就是聊聊诗词，甚至外国小伙伴也被这东方的诗意所折服。
在一个国外问答网站Quora上，有不少帖子讨论“你读过最美的中国诗歌是什么？”也有学中文的外国网友讨论分享喜爱的中国古诗词。网友gndowns说：“我最近学中国诗歌觉得很有意思，研究诗句和翻译之类的。大家有没有喜欢的诗歌分享啊？”
来自英国剑桥大学的计算机科学家Silas S. Brown自学了汉语，还翻译了徐志摩的《再别康桥》。
国内外观众的追捧，是《中國诗词大会》创作团队始料未及的。这几年，国学热的复兴早有苗头，从2001年开始播出的《百家讲坛》，到近年来的《中国诗词大会》《见字如面》《中国汉字听写大会》《中国成语大会》乃至《我在故宫修文物》等电视节目，形成一股“国学热”的社会文化潮流。
2016年，阅读节目《见字如面》和纪录片《我在故宫修文物》，最让人们再见传统文化之美。这批被誉为“电视界的一股清流”的文化类节目，激发起人们对中华传统文化热爱和感动之情。
《见字如面》邀请一批老戏骨朗读中国历史上的优秀书信，犹如打开历史，收获如潮好评。萧红《有你们，中国是不会亡的》、韩愈《祭鳄鱼文》、蔡琴《让他活在我的歌里吧》、黄永玉《你多么需要他那点草莽精神》、刘慈欣《在时间之河的另一端》、林徽因《我不愿成为拆散你们的根源》、陈寅恪《此点关系全部纲纪精神》、林则徐《本来皇上还想照顾我》、毛泽东《共产党要执行比平民更加严格的纪律》……一封封动人书信，让不少观众流泪，感受到人情和汉语的力量。
《我在故宫修文物》则将镜头对准了故宫的文物修复师们，他们已经存在了几百年，却始终不为人知。节目深入故宫采访12位文物修复师，以口述的形式撰写了12位顶级文物修复师对历史、对人生的回顾和感悟。在大时代的背景下，这群身怀绝技、妙手回春的文物修复师，默默地固守“冷宫”一隅，日复一日地打理价值连城的“国宝”。 其實，文物、诗词、成语、书信、汉字都只是提纲挈领的手段，如果观众能抛开对错的得失，从节目中提升兴趣，收获知识，才是借助这些开启国学文化之门的钥匙，才得以感受那些悠远迷人、感天动地的历史场景和意蕴之美。
Ancient poetry of China is seeing a big renaissance， as evidenced by a blockbuster ten-episode television programrecently screened from January 29 to February 7 2017 by China Central Television （CCTV）， the country’s biggest television network. The televised competition caused a sensation across the country. Those who loved Chinese poems competed against each other showing off their understanding of these poems and how many they could recite. The winners of the competition became celebrities， but they are loved and admired not because they are walking poems. What touched the hearts of the people is the poetic beauty oozing from their hearts and glowing in their faces.
Wu Yisu， a 16-year-old high school girl from Shanghai， was the champion of the competition. A raving critic featured her as a girl who satisfied all the fantasies people had about a talented girl of the ancient times. She wore traditional apparel at the conference. She had memorized an amazing number of ancient Chinese poems. Her handwriting was beautiful. And she responded beautifully and with amazing ease to challenges. Sometimes she even looked astonished by her own good replies， especially when other contenders failed to find a clue. People loved her largely because of her characteristics shaped by the poetry she recited and quoted easily.
The television blockbuster triggered a heated discussion about Chinese poetry and classics. Some questioned： “It is just a television program and a bunch of people who can recite poems. It isn’t equal to Chinese classics.” Some even went so far as to say that it was just a competition of memory and that it didn’t show the complete beauty and profundity of the Chinese culture and therefore the show didn’t do any good to the mission of carrying Chinese poetry as a whole forward.
Meng Man， an associate professor with the Central University of Nationalities and a guest at the television program， defended the poetry program： It is not wrong for a television show to attract the eyeballs through competition. Excessive criticism doesn’t do justice. The players at the show agreed that the poems were not created for competition. Competition was just a game. They enjoyed being there， enjoyed the tension， and enjoyed the beauty of traditional poems. They strived to see a better self through the competition.
It is pointed out that the sensational conference appealed to the heart of the Chinese nation. Compared to other nations in the world， Chinese people probably have the biggest passion for poems in the world. （also known as ） and mark the glorious beginning of Chinese poems. Poetry reached a climax during the Tang （618-907） and the Song （960-1279）. The Chinese people can easily express themselves through poems. And they find national identity， cohesion， sentiments， nature， life， memory， morality in the poems that accumulated over a period of more than 2，000 years. Meng Man said in a media interview： “Beauty is the first thing of the renaissance of traditional culture. We need beauty because beauty leads to kindness. People need things that touch their heart and soul. Comparatively， poems are closest to our heart and soul.” The was indeed designed to touch the heart and soul of the Chinese people.
The conference has had delightful repercussions. For a while， everybody talked about ancient Chinese poems. And it has given birth to a new mania for Chinese poetry.
The conference is only part of a great renaissance of the traditional Chinese culture going in full strength now. A series of similar television shows have contributed to the renaissance. and are similar television shows produced and screened by CCTV.y， a 2016 television documentary， was a huge success. The documentary focused on the masters in the Palace Museum who repair and restore antiques， ancient paintings and books in the imperial collection. ， a program produced and screened by Heilongjiang Television， gives people opportunities to hear letters brought back from the past. These letters are read by celebrated television and film artists.
悠远的意象，抑扬顿挫的诵读，在很多人的心目中，这应该是在山水间纵情的抒发，然而今天，在灯光聚焦的央视演播厅里，在数千万电视观众的聚焦下，被诵读出来。
这是一档综艺节目，名叫《中国诗词大会》。诵读者是各样普通人，但他们激发了大家对中国古典文化的情怀，也吸引了许多关注者的目光。
选手：腹有诗书气自华
作为以背诵中国古诗词为题材的节目，《中国诗词大会》的明星，是台上角逐的选手。
他们博闻强记、他们心怀唐宋。但“行走的诗词库”，就是我们推崇他们的原因么？当然不是，真正感染人的是诗歌带给他们的那种从内散发出的美。
央视《中国诗词大会》第二季总决赛冠军、高中学生武亦姝就是一个最典型的例子。有媒体称她：“满足了网友对古代才女的所有幻想。”她一身汉服，穿得飘逸出挑，诗词储备丰富，还写得一手好字。
节目中，武亦姝常常会一脸惊讶，不敢相信自己答得那么好，也会在选手都一时语塞、不知如何作答时，能另辟蹊径。人们喜欢她，不仅仅是喜欢她对古诗词的记诵能力、感悟能力，还喜欢她的性格——通俗来说，就是传统国学的审美标准。
初一学生叶飞，大概是本届诗词大会年龄最小的选手之一，他擅长用文言文写作，小小年纪就有不俗的诗词积累。记者采访他的知识背景，更让人惊讶：两岁开始读唐诗，三岁接触《三字经》《弟子规》。渐渐地，叶飞对古文书籍“情有独钟”。
博士生陈更则是选手中学历最高的。她工科出身，却满腹文才，连续好几场都是擂主，诵读诗词时，总是展现着自信的笑容，台风镇定、落落大方。她说：“从进入燕园的第一天起，我就明白了要不断成为更美好的自己，同时不失为自己。”
相比于学子，农民大姐白茹云更能代表大多数普通百姓。她的出场让许多人泪流满面。“千磨万击还坚劲，任尔东西南北风”，她有强劲的风骨、坚定顽强的精神，对诗词的热爱激励着她走向远方。
百人团中的王海军也是一样。他，年过六旬的老农民，只上了四年学，却非常热爱诗词。现在他摆摊修自行车贴补家用，修车间隙也不忘写诗，过去三年已经写了一千多首古典格律诗。对他来说，诗就像荒漠中的一抹绿色，能带给他希望和渴求。
腹有诗书气自华的他们，一起谱写了诗词舞台上的传奇，也点燃了更多人心里对古典国学的火焰。
专家：表达审美情趣和人生情趣
“一档综艺节目，只是背诵了几首诗，真的能代表国学吗？”
这是《中国诗词大会》播出期间，媒体与网络上引发的最大争论。有人表示：利用诗词进行单纯的记忆力比拼，割裂了文化的整体意境和深度内涵，并不利于诗词文化的整体传承。
针对这些声音，中央民族大学副教授、《中国诗词大会》点评嘉宾蒙曼表示：“电视节目采取比赛形式吸引公众眼球本身无可厚非。也正如武亦姝、陈更、张淼淼等选手所说：诗词不是拿来比赛的，比赛只是游戏的一种形式。他们在参赛的过程中，是享受那种‘紧张’的气氛，感受传统诗词的魅力，以及通过努力看到更美好的自己。”
蒙曼的话语，很能代表《中国诗词大会》的幕后团队对设计制作这档“另类”节目的初衷。
有人说，《中国诗词大会》之所以能引起共鸣，就是打动了中国人的一颗“诗心”。跟世界上其他任何民族相比，中华民族是最爱诗的民族。《诗经》和《楚辞》作为源头，唐诗宋词作为高峰，一直到现当代创作余风，中国人习惯以诗来表达自己的情感，表达自己的审美情趣和人生情趣。《中国诗词大会》第一季节目的内容以唐诗宋词为主，集中反映了中华文化的高峰，第二季则拓展了诗词的范围，以更广的节目内容和更深的意蕴击中了中国人内心最敏感、最柔软的地方。
蒙曼接受记者采访时说的一句话很有意思：“我们谈传统文化复兴，‘美’是先行，因为‘美’才能导出‘善’。人们需要精神上的东西，而诗和其他任何形式相比，是最属心的。”而这，正是《中国诗词大会》节目要达到的目的。
观众：开启国学文化之门的钥匙
《中国诗词大会》的播出，在观众中引发了一场“国学热”，一时间，从学校到社会；从写字楼到企业车间，大家茶余饭后的话题，就是聊聊诗词，甚至外国小伙伴也被这东方的诗意所折服。
在一个国外问答网站Quora上，有不少帖子讨论“你读过最美的中国诗歌是什么？”也有学中文的外国网友讨论分享喜爱的中国古诗词。网友gndowns说：“我最近学中国诗歌觉得很有意思，研究诗句和翻译之类的。大家有没有喜欢的诗歌分享啊？”
来自英国剑桥大学的计算机科学家Silas S. Brown自学了汉语，还翻译了徐志摩的《再别康桥》。
国内外观众的追捧，是《中國诗词大会》创作团队始料未及的。这几年，国学热的复兴早有苗头，从2001年开始播出的《百家讲坛》，到近年来的《中国诗词大会》《见字如面》《中国汉字听写大会》《中国成语大会》乃至《我在故宫修文物》等电视节目，形成一股“国学热”的社会文化潮流。
2016年，阅读节目《见字如面》和纪录片《我在故宫修文物》，最让人们再见传统文化之美。这批被誉为“电视界的一股清流”的文化类节目，激发起人们对中华传统文化热爱和感动之情。
《见字如面》邀请一批老戏骨朗读中国历史上的优秀书信，犹如打开历史，收获如潮好评。萧红《有你们，中国是不会亡的》、韩愈《祭鳄鱼文》、蔡琴《让他活在我的歌里吧》、黄永玉《你多么需要他那点草莽精神》、刘慈欣《在时间之河的另一端》、林徽因《我不愿成为拆散你们的根源》、陈寅恪《此点关系全部纲纪精神》、林则徐《本来皇上还想照顾我》、毛泽东《共产党要执行比平民更加严格的纪律》……一封封动人书信，让不少观众流泪，感受到人情和汉语的力量。
《我在故宫修文物》则将镜头对准了故宫的文物修复师们，他们已经存在了几百年，却始终不为人知。节目深入故宫采访12位文物修复师，以口述的形式撰写了12位顶级文物修复师对历史、对人生的回顾和感悟。在大时代的背景下，这群身怀绝技、妙手回春的文物修复师，默默地固守“冷宫”一隅，日复一日地打理价值连城的“国宝”。 其實，文物、诗词、成语、书信、汉字都只是提纲挈领的手段，如果观众能抛开对错的得失，从节目中提升兴趣，收获知识，才是借助这些开启国学文化之门的钥匙，才得以感受那些悠远迷人、感天动地的历史场景和意蕴之美。
Ancient poetry of China is seeing a big renaissance， as evidenced by a blockbuster ten-episode television programrecently screened from January 29 to February 7 2017 by China Central Television （CCTV）， the country’s biggest television network. The televised competition caused a sensation across the country. Those who loved Chinese poems competed against each other showing off their understanding of these poems and how many they could recite. The winners of the competition became celebrities， but they are loved and admired not because they are walking poems. What touched the hearts of the people is the poetic beauty oozing from their hearts and glowing in their faces.
Wu Yisu， a 16-year-old high school girl from Shanghai， was the champion of the competition. A raving critic featured her as a girl who satisfied all the fantasies people had about a talented girl of the ancient times. She wore traditional apparel at the conference. She had memorized an amazing number of ancient Chinese poems. Her handwriting was beautiful. And she responded beautifully and with amazing ease to challenges. Sometimes she even looked astonished by her own good replies， especially when other contenders failed to find a clue. People loved her largely because of her characteristics shaped by the poetry she recited and quoted easily.
The television blockbuster triggered a heated discussion about Chinese poetry and classics. Some questioned： “It is just a television program and a bunch of people who can recite poems. It isn’t equal to Chinese classics.” Some even went so far as to say that it was just a competition of memory and that it didn’t show the complete beauty and profundity of the Chinese culture and therefore the show didn’t do any good to the mission of carrying Chinese poetry as a whole forward.
Meng Man， an associate professor with the Central University of Nationalities and a guest at the television program， defended the poetry program： It is not wrong for a television show to attract the eyeballs through competition. Excessive criticism doesn’t do justice. The players at the show agreed that the poems were not created for competition. Competition was just a game. They enjoyed being there， enjoyed the tension， and enjoyed the beauty of traditional poems. They strived to see a better self through the competition.
It is pointed out that the sensational conference appealed to the heart of the Chinese nation. Compared to other nations in the world， Chinese people probably have the biggest passion for poems in the world. （also known as ） and mark the glorious beginning of Chinese poems. Poetry reached a climax during the Tang （618-907） and the Song （960-1279）. The Chinese people can easily express themselves through poems. And they find national identity， cohesion， sentiments， nature， life， memory， morality in the poems that accumulated over a period of more than 2，000 years. Meng Man said in a media interview： “Beauty is the first thing of the renaissance of traditional culture. We need beauty because beauty leads to kindness. People need things that touch their heart and soul. Comparatively， poems are closest to our heart and soul.” The was indeed designed to touch the heart and soul of the Chinese people.
The conference has had delightful repercussions. For a while， everybody talked about ancient Chinese poems. And it has given birth to a new mania for Chinese poetry.
The conference is only part of a great renaissance of the traditional Chinese culture going in full strength now. A series of similar television shows have contributed to the renaissance. and are similar television shows produced and screened by CCTV.y， a 2016 television documentary， was a huge success. The documentary focused on the masters in the Palace Museum who repair and restore antiques， ancient paintings and books in the imperial collection. ， a program produced and screened by Heilongjiang Television， gives people opportunities to hear letters brought back from the past. These letters are read by celebrated television and film artists.