引言剧评,反映审美偏好,也映照创作趋势。从具体个别剧目的评论中,可析绎出理论,是评论者个人的观点,也是时代见证。研究剧评,必须与时代紧密结合。本文以台湾的戏曲评论为研究范围,京剧为主、兼及昆剧,按照时序书写,全文是评论的演进发展,也侧写台 Introduction Drama, reflecting the aesthetic preferences, but also reflect the creative trends. From the comments of specific individual repertoires, the theory can be deduced, which is the personal opinion of critics and the testimony of the times. Research Drama, must be closely integrated with the times. This article takes Taiwan’s opera criticism as its research scope, Beijing opera as its mainstay, and Kunqu Opera as a whole, writing in chronological order