历史小说素以表现民族历史生活和传统文化为目标,在中国当属精英文化范畴。同时由于统治阶级在意识形态领域的支配权,历史小说又有庙堂文化的精神印记。但是经过千百年来一代代入的遵循与实践,传统文化的内容与精神已经深入到广大民众的心里,甚至积淀为民族的集体无意识。因此,即使是今天,历史小说的创作也只能顺着民族传统文化的思路,不管其叙述的对象怎样深邃精彩,骨子里的通俗文化特性都难以消除。历史小说以史料和史实为根本基础,这注定它更倾向于采用客观叙述的写实性创作方法,而创作历史题材类文学作品的作者,也必然对民族传统的美学风范和艺术韵味有着强烈的好感与共鸣,所以,历史小说从创作方法到审 Historical novels have always been the elite culture in China, aiming at representing the historical life and traditional culture of the nation. At the same time, because of the ruling class’s power of domination in the field of ideology, historical novels have the spiritual imprint of the temple culture. However, after thousands of years of adherence to and follow through from generation to generation, the content and spirit of traditional culture have penetrated into the hearts of the general public and even accumulated as collective unconsciousness of the nation. Therefore, even today, the creation of historical novels can only follow the idea of ​​national traditional culture. Regardless of the profound and wonderful objects it describes, the popular cultural features in the bones can hardly be eliminated. Historical novels are based on historical materials and historical facts, which are bound to be more inclined to adopt realistic methods of objective narration. However, the author who creates historical class literary works will inevitably have a strong impression on the national aesthetic tradition and artistic charm And resonance, therefore, historical novels from the creative method to trial