石鲁书法批评

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石鲁是现代中国画坛上一位重要画家,他开创了长安画派,他在50年代、60年代创作出的不少名作,既来自生活,又成功地融通了传统中国画的笔墨技巧、现代的时代精神和生活气息,以及其人的个性气质,他堪称那个时代中国画创新的代表画家之一。然在后来的十年浩劫中,他遭受到非人的残酷的精神摧残与人身折磨,此后他的书画发生了形态、风格上非理性的超常激变,留下了大量怪异、粗野、离奇的作品。尤其是其书法,比其画法走得更远,使人们难以接受。但由于他是一位大画家,又经历了一番不平常的、痛苦的且具传奇色彩的人生道路,人们在看他晚期作品时,更多的是带着一种对其人格的崇敬,对其遭遇的同情以及对其特殊精神状态下的特殊艺术表现的惊 Shilu, an important painter in the modern Chinese painting society, pioneered the Chang’an School of Painting. Many masterpieces he created in the 1950s and 1960s both came from life and successfully integrated the traditional Chinese painting techniques. The modern The spirit of the times and the life style, as well as the individuality and temperament of the people, is one of the representative painters of Chinese painting innovation in that era. However, in the subsequent ten-year catastrophe, he suffered from inhuman brutal devastation and physical torture. Since then, his painting and calligraphy has undergone extraordinary morphological and irrational style changes, leaving behind a large amount of weird, rude and bizarre works . Especially its calligraphy, go beyond its painting method, make people unacceptable. However, as a great painter, he experienced an unusual, painful and legendary way of life. When people look at his later works, they are more likely to take on a reverence for his personality, The sympathy for their encounter, and the special artistic expression in their special state of mind
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