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艺术创作是指艺术他作者精神的实践活动,是人类高级的、复杂的、特铢的精神活动。从原始艺术开始到其后各个历史时期,无论是缘于巫术、宗教,不是缘于劳动、游戏等,这种促成艺术创作的原动力,都离不开人类精神和心灵交流的需要。随着人类社会的发展,艺术作品已成为人类精神和心灵交流的重要渠道。作为艺术珍品的南阳汉画像石,在人类精神和心灵交流的渠道中,焕发着勃勃生机。由于创作理论及创作类型的不同,在其制约和影响下的创作过程也就不同。作为南阳汉画像石的肌理说,有着灵感思维和构思原理的一面。在本文中,主要以南阳汉画像石的肌理表现作为分析,阐述南阳汉画像石的肌理创造特征。
Artistic creation refers to the practice of the artist’s spirit in art and is a spiritual activity of advanced, complicated and special baht of mankind. From primitive art to various historical periods thereafter, whether it is due to witchcraft or religion or not due to labor or games, the driving force behind artistic creation can not be separated from the needs of human spirit and spiritual exchange. With the development of human society, works of art have become an important channel for the exchange of human spirit and soul. As an art treasures Nanyang Han portrait stone, in the human spirit and spiritual exchange channels, full of vitality. Due to the difference between the creative theory and the type of writing, the creative process under its control and influence is also different. As the stone texture of Nanyang Han portrayal, it has the inspiration thinking and the principle of conception. In this paper, we mainly analyze the texture of Nanyang Han portraits as the analysis of the texture of Nanyang Han portraits.