引言:儒家的诗教观对后世诗歌创作在思想、内容以及表达方式上一直起着主导规范作用。东汉时期,随着儒家经学的神学化,今文经学走向谶纬迷信,加之东汉末期政治日趋腐败,宦官、外戚专权,士大夫、知识分子对儒家“治国平天下”的政治理想失去信心,儒家思想的影响力衰落,表现在文学上就是儒家诗教观受到挑战与突破,《古诗十九首》对诗教观有所继承并加以突破,展现了汉末魏晋时期文学发展的走向。一、对怨而不怒、婉而多讽诗教观的继承 Introduction: Confucian poetic teaching has always played a leading normative role in thinking, content and expression of later poetry. During the Eastern Han Dynasty, with the theologicalization of Confucian classics, the modern Confucian classics went superstitious. In addition, the political corruption in the late Eastern Han Dynasty became increasingly corrupt. Eunuchs, foreign relatives, intellectuals and intellectuals lost their confidence in the political ideal of Confucianism, The declining influence of thought manifested itself in literature as a challenge and breakthrough in Confucianism. The “Nineteen Ancient Poems” inherited and made breakthroughs in the concept of poetry and religion, and showed the trend of the development of literature in the late Han, Wei and Jin Dynasties. First, the right to blame rather than anger, polite and sarcastic teachings inheritance