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元末高明的《琵琶记》是在“宋、元旧篇”《赵贞女蔡二郎》的基础上改造而成的,主观意图是表彰“子孝共妻贤”。其与原作的最大不同之点,是将马踹五娘、雷打伯喈的结局改为“一夫二妇,旌表门闾”的结局,充分表现了蔡伯喈的内心矛盾、软弱性格和苦闷心情,塑造了赵五娘这个善良纯洁、富有自我牺牲精神和责任感的悲剧典型。剧本的具体内容超越了作者的主观意图。《琵琶记》采取强烈的对比手法表现现实生活,语言优美,曲辞富于表现力,是戏文中首屈一指的杰作。
The end of the Yuan Dynasty clever “Pipa” is based on “Song, yuan old articles ” “Zhao Zhen female Cai Erlang ” reform based on, the subjective intention is to commend “son filial wife ”. The biggest difference between the original and the original is to change the ending of Ma’uangwu and Thibodeau to the outcome of “one husband and two women, Jinglunmenlu”, which fully demonstrates the inner contradictions and weaknesses of Cai Bohuan And depressed mood, shaping the tragedy typical of Zhao Wuniang this kind and pure, full of self-sacrifice and sense of responsibility. The specific content of the script goes beyond the author’s subjective intention. “Pipa” to adopt a strong contrast between the performance of real life, beautiful language, lyrics expressive, is the premier opera masterpiece.