一个农家子弟,我怎么就爱上了文学,连自己也说不明白,反正是从小就喜欢读文学书,进大学读的是中文系。年轻人都有理想,作为中文系的学生,自觉当不成科学家,便自然而然地想当作家。人生阅历浅,生活底子薄,写不出小说来,就一股子劲写新诗,并有幸见诸报刊。但是,正兴头上,却碰上了文化大革命,接着又下放农村劳动,遭遇到这种劫难,便什么也写不成什么也不想写了。待到噩梦醒来,又可以写诗的时候,却已人到中年,激情锐减了。加上在大学里给学生讲《文学概论》和《美学》,头脑里理性的东西越来越多,对理论的兴趣越来越浓,新诗便写不出来,转而研究中国审美文化。应该说在这方面我是花了不少精力的,取得的收获不仅仅是《中国审美文化》这本专著,受到了师长的鼓励,更重要的是使自己的知识结构有了一些调整。 A farmhouse children, how I fell in love with literature, even I did not understand, anyway, is like to read literary books since childhood, into the university is the Department of Chinese. Young people have ideal, as a Chinese Department students, consciously not a scientist, they naturally want to be a writer. Life experience shallow, life based on thin, can not write a novel to write new poetry, and fortunate enough to see the newspapers. However, being over the head, but ran into the Cultural Revolution, then decentralized rural labor, encountered such a catastrophe, then nothing can write nothing to write. Until the nightmare woke up, but also can write poetry, but it has been middle-aged, passion dropped sharply. Coupled with the introduction of “Introduction to Literature” and “Aesthetics” to students in universities, there are more and more rational things in mind and more and more interest in the theory. Therefore, the new poems can not be written and the Chinese aesthetic cultures are instead studied. It should be said that I have spent a lot of energy in this regard. The gains not only won the monograph on “Chinese aesthetic culture” but also encouraged by the teachers. More importantly, some adjustments have been made to my knowledge structure.