杨朔是“十七年文学”中最重要的散文家。“十七年散文”在今天已无法让我们对其进行审美的阅读。与新文学中最先取得成功的现代散文相比,“十七年散文”在艺术上的下降相当惊人。20世纪50-70年代大陆散文给新文学史留下的空白,是由台湾散文来填补的。在“十七年”里,虽然出现过两次散文创作高潮,但在散文繁荣的假象中,美文是的的确确衰落了。杨朔的所谓“诗化散文” Yang Shuo is the most important essayist in “Seventeen Years of Literature”. “Seventeen Years Prose ” can not let us read it aesthetically today. Compared with the first successful modern prose in new literature, the decline of art in “Seventeen Years Prose” has been quite dramatic. The blank left by mainland prose to the history of new literature from the 1950s to the 1970s was filled by Taiwanese prose. In “Seventeen Years”, although there have been two upswings of prose creation, the beauty of the essay is prosperous indeed. Yang Shuo’s so-called “poetic prose ”