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自上世纪三十年代以来,对于地域建筑的现代表达一直是中国建筑学界关注的核心议题,然而却鲜有对云南地域特色建筑创作发展的系统梳理和总结。通过对各时期历史条件、文化背景和设计问题的剖析,可以发现云南地域建筑发展脉络总体上是各时期中国主流思想和方法在云南具体而微的反映。其演变中显现出对建筑地区性和现代性的探索逐渐走向一条殊途同归的道路,实质上是中国建筑设计面临现代化洗礼时呈现出来的“一体两面”的表现。然而,这种模式仍是局限在地区性表层的形式操作——为地区(中国)建筑寻求一种合理的形式语言系统。要克服这种局限,只有立足地方真正的现实条件和问题,方可实现有意义的地区建筑研究和实践创新。
Since the 1930s, the modern expression of the regional architecture has always been the focus of attention in China’s architecture circle, but few systematic reviews and summarizations have been made on the creation and development of the regional distinctive architecture in Yunnan. Through the analysis of the historical conditions, cultural background and design issues of each period, we can find that the development context of the regional architecture in Yunnan is a concrete and slight reflection of the mainstream thoughts and methods in China in each period. The evolution shows that the exploration of architectural regionalism and modernity is gradually moving towards a road of equal or equal return, which is essentially the manifestation of “one body, two sides” presented by China’s architectural design in the face of modernized christening. However, this model is still confined to the formal operation of the regional superficial - seeking a reasonable formal language system for regional (Chinese) architecture. To overcome this limitation, meaningful regional building research and practical innovation can only be achieved if they are based on the real conditions and problems of the localities.