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本文从分析《无罪》这一诗歌中“刀”的意象,来谈论物的置放问题,刀的悬挂使得作为生活中常用器具的刀从日常中剥离出来,它以另一种“悬挂”的方式存在的同时也让作为使用者的人出离了实用的世界,可以说这不仅是生存视角的转化也是人与世界关系的一种调适,通过这一调适来摆脱一种狭隘的人类中心主义的思维立场,在这一契机中,借庄子文本中关于物的置放问题的讨论来思考人对物的安置,用庄子的视角去回应现代技术文明对器物的过于理性化工具化的价值取向的反思,而这一价值取向是造成人在使用物的同时也被物所奴役的一种生存状态,即马克思所说的“异化”。同时,又对诗中具有的基督教概念意象进行分析,在此意象中去理解一种人自身在生存姿态的悬挂与放置。这是文本自身带来的一种内在的回应。
This article from the analysis of “innocence” in this poem “knife ” image, to talk about the placement of objects, the knife hanging makes the knife commonly used in life from daily peeled off, it is another “Suspension” exists at the same time, leaving people as users away from the practical world. It can be said that this is not only the conversion of survival perspective but also a kind of adjustment of the relationship between people and the world. Through this adjustment, Narrow anthropocentric thinking position, in this opportunity, by Zhuangzi text on the placement of things to think about the placement of things, with the perspective of Zhuangzi to respond to modern technological civilization is too rational on the objects Instrumental reflection of the value orientation, which is a living condition that causes people to be enslaved by the things at the same time that they are used, that is, what Marx calls “alienation.” At the same time, it analyzes the concept of Christianity in the poem, in this image to understand the suspension and placement of a person’s own attitude in life. This is an intrinsic response to the text itself.