这是一块砂岩卵石,质地不算很坚润,但纹理呈图非常理想:一个立姿全身人物,侧身右向,后窄前宽,符合人物画的构图法则。纹理质朴,只以深浅不同的单色土黄表现对象,层次丰富,风格恬淡;人物轮廓清晰,其头面、颈领、胸背、腰臀、长裾,部位清楚,比例得当,形象上佳。人物垂臂颔首,似在静穆凝神,似在沉思踱步。身着长袍,从其衣领式样来看,似为僧袍,但看共头部,似戴圆帽,似留短发,不似僧尼。然而藏者为何赋名“佛缘”呢?原来“佛缘”之谓,未必佛家人物;一个人曾经修持佛法,或因心地善良, This is a sandstone pebble, texture is not very strong, but the texture is very ideal map: a standing body figure, sideways to the right, after the narrow front width, in line with the composition of the law of the painting. Texture is simple, only different shades of monochromatic yellow performance objects, rich layers, style and tranquil; figure outline, the first surface, neck collar, chest and back, waist buttocks, long 裾, parts clear, the proportion of proper, good image. People hanging their head, seems quiet and restless, seems pacing in thought. Dressed in a robe, from the collar style look, seems to be robes, but to see the total head, like wearing a round cap, seems to stay short hair, not like monks and nuns. However, why the Tibetan named “Buddha”? The original “Buddha”, may not Buddhist characters; a person who has been practicing the Dharma, or because of good intentions,