宋江波三年二上延安。 第一次是冬季。红日抚摸着大西北的脊梁——宋江波率领大家拍摄故事片《毛泽东与斯诺》。 第二次是夏季。洪水冲刷着久旱的黄土高原——宋江波率领大家拍摄故事片《走向太阳》。 15年,足足15年后,中国“第五代”电影家围绕着黄土地,围绕着延安经历了一个轮回。当年那些曾经虔诚地膜拜过黄土地的高远和厚重的,如今正把 Song Jiangbo two years on the Yan’an. The first is winter. The red sun stroked the backbone of the Northwest - Song Jiangbo led us to shoot the feature film “Mao Zedong and Snow.” The second is summer. Flood washed a long drought of the Loess Plateau - Song Jiangbo led us to shoot feature films “to the sun.” Fifteen years later, a full 15 years later, China’s “Fifth Generation” filmmakers revolved around the Yellow Earth around Yan’an. The lofty and heavy ones that had once worshiped the loess piously were now putting it