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四存学会的文化观可以概括为以颜李为主体,兼顾中西新旧,这种文化观,明显具有调和论的特征。它既反对全盘西化,又反对顽固守旧,而是主张中西文化互补。四存学会对于如火如荼的新文化运动颇多指责和不满,认为这种激进的行为破坏了中国的文化传统。四存学会代表了颜李学在近代复兴的最高峰,它的兴衰,与颜李学在近代的命运息息相关。四存学会认为中国的民族文化建设应该以中学为本,西学为用,必须立足于本国文化,取人之长,为我所用。
The concept of Civic Culture can be summed up as the main body of Yan and Li taking into account the old and new of both China and the West. This kind of cultural view obviously has the characteristics of harmonic theory. It opposes both Westernization and opposition to stubbornness, but it advocates the mutual supplement of Chinese and Western cultures. The Siu Sook Institute accused and dissatisfied with the new cultural movement in full swing, thinking that such radical acts have undermined Chinese cultural traditions. Siu Sang Society represented the highest peak of Yen Hsueh’s rejuvenation in modern times. Its rise and fall is closely related to the fate of Yan Li Xue in modern times. The Siu Kham Society believes that the construction of national culture in China should be based on high school and Western learning. It must be based on its own culture, gain the best of one’s talent and be used by me.