《狮吼记》作为明清戏剧舞台上的佳作,以其喜剧色彩取胜,别开生面。戏剧中的柳氏历来是“妒妇”的代表之一,她的妒嫉独具特色,在反对“三从四德”的同时,展现出其外在剽悍形象与内心细腻情感变化的对立。“弃妒从善”的结局反映出她对“妻以夫为纲”社会规则的妥协。本文从柳氏妒嫉的背景、表现、结局分析其形象。 As a masterpiece on the stage of the Ming and Qing dynasties, The Lion Roar wins by its comedy color. Liu’s drama has always been one of the representatives of “jealous woman”. Her jealousy is distinctive. While opposing “three from four virtues,” her show of opposition to the change of her extrinsic and ingenious emotions . The outcome of “jealousy and goodness” reflects her compromise on “wife and husband as the key link” and social rules. This article analyzes the image from the background, performance and ending of Liu’s jealousy.