尹永宏的作品打破了我们对人像摄影的程式化认知,摆脱了摄影师进行人像创作时僵化的思维模式,拓展了人像摄影的广度与深度。一提起人像,大家就会想到那些在影楼、照相馆等场所拍摄的、单纯以描摹人物相貌等为主的、商业味道浓厚的影像。在这些影像中,通常人物占据画面的全部或大部。其实,人像摄影远非如此。 Yin Yonghong’s works have broken the stylized awareness of portrait photography and got rid of the rigid mode of thinking of photographers in portraits and expanded the breadth and depth of portrait photography. When you mention portraits, everyone will think of those commercials that are mainly shot in the photo studio, photo studio and so on. Of these images, usually people occupy all or most of the picture. In fact, portrait photography is far from it.