书法创作在古代众多的书论中被描述得似乎很玄,当然自有理论。站在艺术思维的角度,在大审美前提下的书法创作中,书家对客观事物表象的感知所具有的反应,就在于将其升华,以娴熟的笔墨技巧,作用于书法本体,从而表明作者的审美感受和体验,以期与欣赏者产生情感共鸣的美学享受。 Calligraphy in many ancient calligraphy was described as very mysterious, of course, its own theory. From the perspective of artistic thinking, in the calligraphic creation under the premise of grand aestheticism, the reaction of calligraphers to the perception of the appearance of objective things consists in sublimation, skillful brushwork and the role of the author in the calligraphic ontology Aesthetic feeling and experience in order to resonate with the appreciation of aesthetic appreciation of the aesthetic.