董仲舒的经学思想涉及到某些文艺问题 ,其中有创见或新意者 ,是他的“《诗》无达诂”说和“中和之美”说。“《诗》无达诂”严格说并不是一种真正意义上的文学思想 ,而是“物莫无邻 ,察视其外 ,可以见其内”、“见其指者 ,不任其辞”的经典解读方法。它对于文学思想的价值 ,是给文学阅读活动提供了认识上的重要启发。“中和之美”说对先秦儒家的“中和”思想作出了新的解释 ,董子把它纳入到顺天法地、天人相应的思想体系中 ,由天地具有“中和之美”而落实为人的修心养性功夫。因此 ,“中和之美”说也并不是本色的文学思想。但是 ,由于它涉及到了人的情感 ,认为怒、喜、忧、惧皆宜“反中”,就包含了人的情感应当如何表现的问题 ,从而具有了一定的文学思想的意义 Dong Zhongshu’s theory of Confucian classics involves some literary issues. Among them, there are innovative or new ideas in his theory of “no poem” and “the beauty of neutralization.” Strictly speaking, “poetry” is not a literary thought in the true sense. Rather, it is “an object can not be seen without its neighbor. The classic interpretation of the method. Its value to literary thought provides an important enlightenment to literature reading activities. ”The Beauty of Neutralization“ is a new interpretation of the ”neutralization“ thought of Pre-Qin Confucianists. Dong Zizheng put it into the thought system of heaven and man, Cultivation of human kung fu cultivation. Therefore, ”the beauty of neutralization“ is not the true literary thought either. However, since it involves the human emotion, it considers that ”anger“, ”hi“, ”worry“ and ”fear" all contain the question of how the human emotion should behave, and thus has a certain literary and ideological significance