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长期以来,我们主要专注于原生态民间舞的文化研究,较少关注民间舞动作语言的特质,研究原生态民间舞动作语言对舞台创作中民间舞特质的把握以及民族性的张显具有重要意义。本文通过对中国原生态民间舞模仿类舞蹈的举例分析,从舞蹈动作语言的特质入手论证原生态民间舞的模仿性、具象性特征,阐释了原生态民间舞动作语言因模仿而具象,因情感表现从具象到抽象的问题。同时还通过具体作品探讨了民间舞创作从花、鸟、鱼、虫满台跑,劳动舞蹈处处有到追求象征地、比拟地表现情感这种表现方式的变化。
For a long time, we mainly focus on the cultural studies of the original folk dance, and pay less attention to the characteristics of the language of the folk dance movements. It is of great significance to study the folk dance motifs of the original folk dance in the stage creation as well as the nationality . This paper analyzes the imitation and idiomatic dance of the original folk dance from the example of the idioms imitating the Chinese folk dance. From the idiosyncrasy of the dance action, this article demonstrates the imitation and figurative features of the original folk dance. Performance from the concrete to abstract issues. At the same time, through the concrete works, it explores the changes in the performance of folk dance creation from the flowers, birds, fish and insects, the labor and dance everywhere to the pursuit of symbolism and the comparative representation of emotion.