绘画作品,是画家自身释放最直接的一种媒介。画家通过其个性化的绘画形式符号,在作品中融入他个人的情感、意趣。一幅绘画作品应是画家自身和绘画形式符号完美的结合。“萧条淡泊”曾是古代山水画家向往之境界。元代画家倪瓒作品的萧疏空灵、简淡超逸,被推为逸品,这种趣味一直影响到当代的山水画家。一方面面对着日益工业化、 Paintings are the most direct medium of painter’s own release. Through his individualized painting form symbols, the artist integrates his personal feelings and interests into his works. A painting should be a perfect combination of the artist himself and the symbol of the painting. “Depression Indifferent ” Once upon a time when the ancient landscape painter aspire. In the Yuan Dynasty, artist Ni Zan’s paintings are sparse, sparsely transcendent and elegant, which are pushed into Yi-jiao. This kind of interest has always influenced contemporary landscape painters. On the one hand facing the increasingly industrialization,