冯梦龙戏曲理论主要表现在四个方面 :追求艺术真实与生活真实的统一 ;人物塑造既有其恒定性 ,又要灵活运用 ;坚持礼教与情教相统一的教化原则 ;舞台表演既要体物 ,又要掌握分寸、保持冷静 Feng Menglong’s theory of opera is mainly manifested in four aspects: the pursuit of the true unity of the true art and life; the characterization has both its constancy and flexible use; the principle of enlightenment that insists on the unification of the ritual and the religious conditions; the stage performance, But also grasp the sense of proportion, remain calm