本体论是西方哲学体系中探讨本原问题的学说,并不适用于电影艺术的理论建构,作者认为,应以更具包容性的体用观代之。电影艺术的本体为动态的影像,而其功用则为叙事活动。文章指出,相较于传统艺术理论的本质观,体用观更符合电影艺术不断变化的特点。 Ontology is the doctrine of exploring the primitive problems in the western philosophical system and does not apply to the theoretical construction of cinema art. The author believes that it should be replaced by a more inclusive body. The art of film art is a dynamic image, and its function is narrative activity. The article points out that compared with the essence of the traditional art theory, the concept of physical use more in line with the changing characteristics of cinema art.