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东方绘画以中国画为代表,中国绘画中以水墨为代表。中国画用墨历史可以远溯到原始社会时期,在陶器上就多用黑线画出漩涡纹、波状纹、几何形花纹来进行装饰美化,这是用墨的开始。汉代绘画其帛画中的所有形象都用墨笔勾画,轮廓十分清晰,但是在汉代绘画中还没有显现出对墨的完全关注。魏晋时期,社会政治混乱,许多玄学名士纷纷在书学中寻求寄托,也是在这个时期水墨画开始了真正的兴起。黄宾虹也认为“梁元帝《山水松石格》始称破墨,异于丹青,水墨之始,兴于六朝。”①董巨荆关,元四家、清六家等历代名家皆以水墨见长。
Oriental painting is represented by Chinese painting, while Chinese painting is represented by ink and wash. Chinese ink history can be traced back to primitive society, the use of black lines on the pottery to draw more swirls, wavy patterns, geometric patterns for decorative landscaping, which is the beginning of ink. All the images in the painting of the Han Dynasty were painted with ink pens and the outline was very clear. However, no complete attention to ink was shown in the Han Dynasty paintings. Wei and Jin Dynasties, social and political chaos, many metaphysical celebrities have sought sustenance in the book, but also in this period of ink painting began a real rise. Huang Binhong also believes that “Liang Yuandi” landscape turquoise lattice “was originally called broken ink, different from the Dan, the beginning of ink, in the Six Dynasties.” ① Dong Ju Jing Guan, Yuan four, .