世界经济一体化,导致了今天全国城市建设上的模式化。在建筑上我们已失去我国传统人文建筑的特色。在这一点上,应该给我们从事民族绘画的中国画家们一个文化上的警示。近百年中国画的发展,实质上是在传统院体画的基础上,吸收了西方绘画的理念与技法,解决了院体画中“人大于山、水不容泛”的问题,但在整个庞大的中国绘画体系中,西方的绘画只给我们解决了一个院体画在造型和透视上的科学问题。而传统中的文人画则是艺术的成分要远大于科学的成分,由于近百年中国传统文化的渐失,本民族艺术的门类,随着社会的发展在自然流失和消亡。对于我国历史上的传统文化,了解的和精通的人愈来愈少,能够将中国传统的人文精神自觉地融入到作品中的当今画家就更少。因 The integration of the world economy has led to the pattern of urban construction in the country today. In architecture, we have lost the characteristics of our traditional humanistic architecture. At this point, we should give a cultural warning to Chinese painters engaged in ethnic painting. In the past hundred years, the development of Chinese painting has absorbed the concept and technique of western painting on the basis of traditional body painting, and solved the problem of “people are bigger than mountains and water can not be flooded” in the body painting. However, In the huge Chinese painting system, the Western paintings only give us the solution to the scientific problems in the style and perspective of a courtyard painting. The literati painting in the tradition is that the composition of art is much larger than that of science. Due to the loss of traditional Chinese culture in the last century, the categories of art in this country naturally disappear and disappear with the development of society. There are fewer and fewer masters and masters of traditional Chinese culture in history, and fewer artists today are able to consciously incorporate the traditional Chinese humanistic spirit into their works. because