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祖国宝岛台湾与大陆仅有一水之隔,海峡两岸人民有割不断的情缘。台湾居民百分之七十以上为闽籍移民及其后代,该地区文化艺术多传自大陆福建,而其中的傀儡戏艺术(包括提线傀儡戏、布袋戏等)绝大多数即传自福建之泉州、漳州和汀州等地区。数百年来,傀儡戏艺术在台湾人民的社会生活中,发挥了重要的宗教与娱乐的功用,与台湾文化艺术的发展产生密切联系。本文拟在考察台湾傀儡戏源流同时,通过傀儡戏在台湾的的传承演变,揭示两岸民间文化的深层共性,以及傀儡艺术交流对不断加强两岸文化渊源关系的积极意义。
Taiwan, the motherland, Taiwan and the mainland are separated by only one water, people across the Taiwan Strait have cut the continuous love. More than 70% of Taiwanese residents are immigrants and their descendants of Fujian nationality. The arts and culture in the area are mostly spread from Fujian Province in mainland China. Most of the art of puppet theater (including the puppet theater, puppetry, etc.) , Zhangzhou and Tingzhou and other regions. For hundreds of years, puppet theater has played an important religious and recreational role in the social life of Taiwanese people and has been closely linked with the development of Taiwan’s culture and arts. This article intends to examine the origins of the puppet drama in Taiwan at the same time, through the evolution of the puppet theater in Taiwan, to reveal the deep commonalities of folk culture across the Taiwan Strait and the positive significance of the exchange of puppet art to continuously strengthen the cultural origins of both sides of the Strait.