话剧的处境所有的生存都是为了自身的存在。面对“话剧,你为谁生存”这一问卷,我的回答是:“为了话剧自身。”在我看来,话剧现在之所以举步维艰,最根本的原因就是我们多年来没有把话剧当作“艺术”来尊重。没有尊重它的艺术规律,更没有尊重它的艺术“人格”。在计划经济运行模式中,我们更多地把它当作“宣传的工具”;进人 The situation of drama All survival is for its own existence. In the face of the questionnaire “For whom you live for drama,” my answer is: “For the drama itself.” In my opinion, the most fundamental reason why drama is so difficult now is that we have not taken Drama as “art ” to respect. There is no respect for its art rules, but no respect for its art “personality ”. In the mode of operation of the planned economy, we regard it more as a “tool of propaganda.”