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品读恩国的画作之前,先简单梳理一下山水画的发展概况。魏晋南北朝时期山水画开始萌芽,山水画的独立形成是与人的审美觉醒分不开的文化现象。顾恺之“以形写神”论的提出,是对“物”的第一次超越,使中国画的审美趋向开始指向人的精神世界。人们发现“画龙点精”远比“误墨成蝇”更高一筹。谢赫《六法》中“气韵生动”的提出,指明了中国画的朗朗乾坤。山水画产生于玄学兴盛的时代,一开始就赋予着深层的文化内含。和“成教化,助
Before reading the paintings of grace, we briefly outline the development of landscape painting. The landscape paintings in the Wei, Jin, Southern and Northern Dynasties began to sprout, and the independent formation of landscape paintings was a cultural phenomenon inseparable from the aesthetic awakening of people. Gu Kaizhi’s proposition of ”writing God“ is the first transcendence of ”things “ so that the aesthetic tendency of Chinese painting begins to point to the spiritual world of man. People have found that ”finishing touch“ is far more advanced than ”making mistakes into flies“. Sheikh ”Six Laws“ ”vivid charm “ proposed, pointed out the good and bad of Chinese painting. Landscape painting originated in the era of metaphysical prosperity, from the beginning to give a deep cultural implications. And ”into education, help