立志于油画却进了中央美院设计系平面专业的储婷,顺乎专业的惯性又进了母校设计学院视觉传达专业攻读硕士学位,接着是留校任教。她的硕士论文是《中国平面设计的白银时代——论中国20世纪二三十年代的平面设计》,论文的选题是历史性的,这似乎与生于70年代的这一群体的特性有些不符,尤其是一个女性。学位论文的切入点“白银时代”也多少超越了这一代的兴趣点和阅读视野。由此可见,储婷比较她属于的一代,在精神 Determined to paint but entered the Central Academy of Fine Arts Department of graphic design professional storage Ting, according to the professional inertia and entered the alma mater Design School visual communication professional master’s degree, followed by the school to teach. Her master’s thesis is “The Silver Age of Graphic Design in China - Graphic Design of China in the 1920s and 1930s”. The topic of the thesis is historical. It seems that some characteristics of this group born in the 1970s Not true, especially a woman. Dissertation entry point “Silver Age ” is also somewhat beyond the point of interest and reading horizons of this generation. This shows that Chu Ting Ting she belongs to a generation, in spirit