如今,当我们一提起日本电影时.无论你是哪国人都立刻会回答,我知道有个黑泽明,因而黑泽明无愧于“世界的黑泽”之美称。那么作为日本电影美学的奠基人小津安二郎,在百年之后还能活跃于21世纪的世界影坛吗?众所周知的事实,是自从小津1963年逝世以来,世界上掀起过三次研究小津的高潮,即1973年的十年祭、1983年的二十年祭、1993年的三十年祭。2003年不仅是他的四十祭,也是他的百岁华诞。2003 Today, when we mention a Japanese movie, no matter where you are from, you immediately reply. I know Kurosawa. Therefore, Kurosawa is worthy of the name “Blackpool of the world.” So, as the founder of Japanese film aesthetics, Ozu Yasujiro, after a hundred years can still be active in the world cinema in the 21st century? The well-known fact is that since the death of Ozu in 1963, the world set off three times to study Ozu, The ten-year festival in 1973, the twenty-year festival in 1983 and the thirty-year festival in 1993. 2003 was not only his 40th sacrifice, but also his 100th birthday. 2003