后殖民理论学者荷米·巴巴在论述第三世界文化特征时,运用了“混杂性”这个看似中庸然则中肯的词汇。首先,它表明了世界文化之间的吸纳和融通,摈弃了自我缠绕式的“对抗”性质和“颠覆”企图,以共时性的眼光把民族电影的发展摆在历史的过程中考察,真正做到既有深厚博大的“民族 Postmodernist Shermer Baba used the seemingly mean but fair-minded vocabulary of “miscellaneous” when discussing the cultural characteristics of the Third World. First of all, it shows the absorption and accommodation of world cultures, abandons the self-winding “confrontation” nature and the attempt of “subversion”, and puts the development of national films in the historical perspective in a synchronic perspective. The real Do both profound and profound "nation