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《底色》的文体颇有创意,它超越了虚构与非虚构、文学与非文学的形式界限,将小说、散文、新闻通讯与特写、日记乃至政论及杂文等文体形式熔于一炉,自铸了一种包罗多类形式的复合式文体;《底色》的艺术视野开放,将越战带给越南南方军民创巨痛深的悲情和人类在历代战争中所遭受的巨大灾难融通起来,显示了作家对于无法摆脱战争阴影的人类命运的深切关注;《底色》表现出现实性与思辨性契合交融的特色。
The “background color” style of writing is very creative. It goes beyond the formal boundaries of fiction and non-fiction, literature and non-literature. It melts the style of novels, essays, newsletters and feature books, diaries and even political and essays And casts a multi-type complex style of writing. The artistic vision of “background color” is open to bring the great sadness and tragedy brought by the Vietnam War to civilians in southern Vietnam and the great catastrophe suffered by mankind in the wars of the past, The writer’s deep concern about the fate of mankind, who can not escape from the shadows of war; the “background color” shows the characteristic blend of reality and speculativeness.