电视纪录片《女特警──雷敏》的结构方式很有独到之处。全片基本是以作者对主人公雷敏相隔两年的两次纪实性采访为结构支点来谋篇布局的。特别是片子的前半部分，创作者没有像许多电视纪录片那样，遵循“现在进行时”的时态来记叙事件、展示人物，而是采取了很像故事片的表现 TV documentary “Female SWAT ─ Reimin” structure is very unique. The whole film is basically based on the author’s two-year interlocutory interview with the protagonist Leimin as the structural fulcrum. In particular, in the first half of the film, the creators, unlike many television documentaries, do not narrate events, present characters, follow a “tense of present-day” tense, but rather act like a feature film