前人在旧体诗词创作中展示的修辞方法繁复多样,不一而足。尤其是重叠之法,引人注目,对于升华主题,拓宽境界,起到不可或缺的作用。重叠貌似重复,不是重复,一字之差,不可同日而语。为传承中华诗词这一文化瑰宝,有必要对此作深入探讨。重叠修辞的运用不拘一格,表现形式同中有异,总结起来,大致有以下五种:一、并列式并列式重叠最为普遍,可以说俯拾皆是。以诗为例,宋代苏轼在吟咏西湖的诸多诗稿中,有一首最为脍炙人口:"水光潋 The rhetorical methods exhibited by the predecessors in the creation of old poems are varied and varied. In particular, the overlapping law, attracting attention, plays an indispensable role in subliming the theme and widening the realm. Overlapping seemingly duplicate, not repeated, the word difference, can not be the same. To inherit the cultural treasures of Chinese poetry, it is necessary to make further discussion about it. Overlapping rhetorical use of eclectic, manifestations with the same in different, summed up, there are roughly five kinds: First, the obvious side-by-side co-ordination is the most common, we can say abound. To poetry, for example, in the Song Dynasty, many poems written in the West Lake, one of the most popular: Suiguang