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艺术对于其确定性的丧失所作出的反应,一方面是通过其行为方式与操作方式的具体变化,另一方面,它从枷锁中挣脱出自身的概念,试图摆脱其作为艺术的实体因素.这其中所发出的一切可以从煽情艺术或娱乐中最为清楚地见到,今日它们已为文化工业所整合、支配,从而发生质的变化.娱乐对于纯艺术的概念来说从来也是必不可少的,纯艺术自身也不尽是作为历史发展晚期的产物.娱乐始终作为文化失败的明证突显示文化领域.颇为滑稽的是,娱乐给文化的失败立下了遗嘱.为文化工业所蒙骗,渴求物欲商品的大众们发觉他们自身处于艺术的这种尴尬处境,虽然不是观察的社会生活过程不真实.而更为赤裸裸地反映出他们比那些似乎记得艺术品曾为何物的人们更加不适应.他们汲汲于艺术的非艺术化(Ent Kunstung)激情澎湃地妨碍和干预艺术品而使其迥异于真正的作品,对其加以改编,缩短它与观赏者之间的距离等等现象正是这一趋势不容误解的症候.人们想使将艺术同他们的生活加以隔离的界限消除.因为,如果艺术果真对他们产生真正影响的话,无疑是在逐渐滋生一种厌恶感,而这正是他们所最不愿干的事.这便是使其可能将艺术列为消费品所需要的主观基础,客观的既得利益包揽了其他余下的一切.
On the one hand, the reaction of art to its loss of certainty is, on the one hand, through the concrete changes in its behavior and mode of operation; on the other hand, it frees itself from its shackles and tries to get rid of it as an entity of art. Everything it sends out is most clearly seen in sensational art or entertainment, and today they have undergone a qualitative change as a result of the integration and domination of the cultural industry, which has always been indispensable to the notion of pure art, Pure art itself is not always a product of the late history of development.Entertainment always shows the field of culture as a proof of cultural failure.Fortunately, entertainment has given a testament to the failure of culture.For the cultural industry to deceive and thirst for material desires The mass of merchandise finds themselves embroiled in this awkward situation of art, though not in the untrue observation of the social life process, and more nakedly reflects that they are more incommensurate than those who seem to recall that art was ever. Ent Kunstung’s excitement of art has interfered with and interfered with the work of art in a way that is very different from the real work. It is precisely this trend that can not be misinterpreted to be adapted to shorten its distance from the viewer, etc. People want to eliminate the boundaries that separate the arts from their lives, because if the arts really have a real impact on them It is doubtless that a sense of disgust is gradually breeding and that is exactly what they are most unwilling to do.This is what makes it possible to regard art as the subjective basis for consumer goods and objective vested interests take over the rest everything of.