对于贾平凹这样一个作家,从读者阅读的历时性角度来看,人们是有期待,有失望,有指摘,更有“醋评”的,而《秦腔》正是各种力量纠结的产物。正如格式塔心理学所认为的那样,读者的心理作用与艺术对象之间两种力相互作用,形成一种具有张力的场。这种张力形成的场效应即是“完形趋向”或“完形压强”。又如滕守尧所论述的:“知觉中这种对简洁完美的格式塔 For a writer such as Jia Pingwa, from the diachronic perspective of readers’ reading, people have expectation, disappointment and criticism, and even more “vinegar criticism”, while “Shaanxi Opera” is a product of the tangles of various forces. As Gestalt psychology believes, the two psychological interactions between the reader and the object of art interact to form a field of tension. The field effect that this kind of tension forms is namely “the cinematic tendency” or “the perfect pressure”. Another example is Teng Shouyao discussed: "Perception of this simple and perfect format tower