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从蔡广斌的《艺术自述》之中,我们并不难发现,他曾经接受过系统而严格的学院教育,一方面对潘天寿、陆俨少、林风眠、黄宾虹等大师所创立的艺术传统进行过认真的研习,另一方面对浙美的新意笔人物画传统亦有着较为深入的认识。本来,作为浙美84级写意人物班的成员,他本应在自己所学的专业领域里不断深入探索,进而形成自己的艺术面貌,但是,有三个重要情境因素却使蔡广斌尚在读书期间,便已开始比较出格的艺术探索:第一,1979年10月,浙江美院图书馆从“北
From Cai Guangbin’s Art Description, we find it hard to find that he has received a systematic and rigorous academic education. On the one hand, he has conscientiously treated the art tradition founded by masters Pan Tianshou, Lu Yanshao, Lin Fengmian, and Huang Binhong On the other hand, it also has a more in-depth understanding of the traditional beauty novelist’s painting tradition in Zhejiang and the United States. Originally, as a member of the class of classics in level 84 in Zhejiang and the United States, he should have explored further in his area of expertise and thus formed his own artistic appearance. However, three important situational factors left Cai Guangbin still in his studies. It has begun to compare the more artistic exploration: First, in October 1979, Zhejiang Academy of Fine Arts Library from ”North