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木制工艺是人类发展史上的一项重要发明,新疆喀什维吾尔族花木箱具有浓郁的民族文化特征,是维吾尔族最具代表性的手工文化之一,也是新疆木质工艺中的重要组成部分。通过新疆维吾尔族花木箱造型工艺与装饰特征的基础性研究对新疆民间传统工艺文化体系的研究可以提供一定的参考价值,有助于理解五二五二组传统文化因素及其艺术审美价值,从而对维吾尔族民间传统手工艺文化有更深刻的研究。论文以新疆喀什维吾尔族花木箱造型工艺与装饰特征为研究对象、通过收集资料法、比较分析法对新疆喀什维吾尔族花木箱造型工艺与装饰特征的相关背景、制作工艺、装饰部位、装饰纹样等进行了详细的归类分析,并在此基础上,结合相关图片资料一级史料,对新疆喀什维吾尔族花木箱造型和装饰中所蕴含的多元文化因子,进行了逐层深入的研究。通过新疆喀什维吾尔族花木箱的造型工艺与装饰特征的基础性研究,得出结论:新疆喀什维吾尔族花木箱是新疆独特的地理环境和人文历史的产物,它的存在于发展与维吾尔族的传统文化相适应,其造型、装饰及制作工艺呈现出多元文化相互交融的特征,并在长期的发展中,形成了谙合着民族审美取向和文化艺术价值的独特风格。本文期望此研究有助于理解维吾尔族文化艺术价值,提升人们对维吾尔族民间传统手工艺文化的认识,为新疆民间传统手工艺文化体系的研究尽微薄之力。
Wooden craft is an important invention in the history of human development. The Uighur flower box in Kashgar, Xinjiang is rich in national culture and is one of the most representative handicrafts of Uigur people. It is also an important part of Xinjiang’s wooden craft. Through the basic research on the molding process and decorative features of flower boxes in Uygur Xinjiang, the research on the traditional folk craft culture system in Xinjiang can provide some reference value and help to understand the traditional cultural factors of 5 525 groups and their artistic aesthetic value There is a more profound study of the traditional Uigur folk handicraft culture. In this paper, the modeling techniques and decorative features of Uighur flower boxes in Xinjiang Kashgar are studied. By collecting data and comparative analysis methods, the related background, production process, decorative parts, ornamental patterns, etc. of modeling and decorative features of Uighur flower boxes in Kashi, Based on the above, a series of in-depth research has been carried out on the multi-cultural factors contained in the modeling and decoration of Uighur flower boxes in Kashgar in Xinjiang based on the first-level historical materials of the related picture materials. Through the basic research on the modeling techniques and decorative features of Uighur flower boxes in Kashgar in Xinjiang, it is concluded that the Uighur flower boxes in Kashgar in Xinjiang are the product of unique geographical environment and human history in Xinjiang. Its existence lies in the development and tradition of Uyghur nationality Cultural adaptation, the shape, decoration and production process presents the characteristics of multi-cultural blend with each other, and in the long-term development, formed a unique style that fits the national aesthetic orientation and cultural and artistic value. This article expects that this study will help to understand the value of Uygur culture and arts and enhance people’s understanding of the traditional Uighur folk arts and crafts culture, so as to make meager contributions to the study of Xinjiang folk arts and crafts culture system.