1996年是中国影坛艰难跋涉的一年,旧格局呈化解趋向,新格局远未形成,猛一看眼花缭乱,细掂量压秤的不多,计划与市场两股力把中国银幕挤压纠缠得疲惫而尴尬,从制作到放映整个运作过程,一言以蔽之,吃力讨好与否,上帝晓得。一、主旋依然高昂惜未成壮观气象写下这个题目,不免对概念犯嘀咕。何谓主旋?通常是题材决定。如果以弘扬革命传统,塑造英雄形象,尤以颂扬领袖业绩为主旨与标志,那么,表现革命和建设主体与主力的寻常百姓之生活常态者,算不算主旋?对此,我以为不妨宽容一下,将讲述老百姓自己的故事,一并纳入主旋范畴。这样,我们就不仅有了《孔繁森》、《张鸣歧》、《刘胡兰》、《警官崔大庆》,也有了《民警故事》、《红棉袄红棉裤》、《小村无故事》、《信访办主任》、《悲情布鲁克》等等。1996年是个英雄的年度,艰苦卓绝的红军长征胜利60周年、第四军医大张 1996 is a year of treacherous Chinese cinema, the old pattern tends to resolve and the new pattern is far from being formed. With a glance of dazzling and delicate scales, the two forces in China’s plan and market have tangled the Chinese screen squeeze Tired and embarrassed, from production to screening the entire operation process, in a nutshell, struggling to please or not, God knows. First, the main is still high The lack of spectacular weather wrote this subject, inevitably whispered concepts. What is the main theme? Usually subject matter. If we advocate the revolutionary tradition and shape the heroic image, especially in praising the accomplishments of the leaders as the theme and the symbol, then the person who represents the normal life of ordinary people who are the mainstay of the construction and the main force is not the mainstay? A moment, will tell the story of the people themselves, together into the main categories. In this way, we not only have “Kong Fansen”, “Zhang Mingqi”, “Liu Hulan”, “police officer Cui Daqing”, but also “police story”, “red padded trousers” “,” Sadbrook "and so on. 1996 was a heroic year, the 60th anniversary of the Arduous Long March victory, the fourth military surge