论文部分内容阅读
京剧《满江红》是郑亦秋在1960年给中国京剧院四团排的一出新编历史剧。当时,由于较出色地把岳飞这个历史人物以新的面貌树立在京剧舞台上,因而得到了广泛的好评。最近,重排《满江红》,除了对剧本、音乐、舞美等方面做了必要的加工之外,郑亦秋又对人物的塑造下了功夫,使全剧有了明显的提高。放笔与扔笔“怒发冲冠……”岳飞这首词,在剧中是作为主题歌出现的。第二场《誓师》,岳飞听到四路报捷,直捣黄龙的宿愿即将实现,于是感慨万端,在激越的唢呐伴奏中唱出了积压在胸中的一腔愤懑!原来的表演是:岳飞唱完“怒发冲冠”之后,拿起笔来挥笔疾书,然后放下笔,手扶将台,再接着
Peking Opera “Azolla” is Zheng Yiqiu in 1960 to the Chinese Peking Opera four platoon row of a new historical drama. At that time, he was widely praised for his excellent performance in setting the new face of Yue Fei on the stage of the Beijing Opera. Recently, “River Hung” has been rearranged. In addition to the necessary processing for the script, music and dance and beauty, Zheng Yiqiu has done a lot of work in shaping the characters and made the drama significantly improved. Put pen and throw pen “angry ... ...” Yue Fei this first word, in the play is as the theme song appears. The second “oath”, Yue Fei heard four reported Jie, straight to Huanglong’s destiny is about to come true, so the feeling of million, in the agitated Suona accompaniment sang the backlog of an indignation! The original performance is: Yue Fei sing End “angry rushing crown”, pick up the pen to stroke the book, and then put down the pen, hand escort Taiwan, and then