我以为,要拍摄一部真正意义上的儿童电视剧,其难度不低于拍摄长篇连续剧。做导演已有七、八个年头,执导的电视剧作品大大小小也有十几部70多集。但是,拍摄儿童电视剧是第1次。本以为与这个创作领域无缘,既不知儿童般的情趣,又没有捕捉儿童那特殊的心理活动的眼光,又缺少童心,担心拍出一部儿童剧,孩子们看了茫茫然,成人看了不以为然。一部真正的儿童剧,首先得完完全全地以儿童的视角,展现一个非常有趣的,有一定思想内含的故事。做为导演,在整个制作过程中,还要非常有耐心地挖掘小演员的表演潜力,不厌其烦地做示范;使出各种的“招数”,“牵”着小演员漫游进你的创作轨迹之中来。然而,我性格急躁,缺少的恰恰是这种耐心。那么,又是什么原因让我接受拍摄儿童电视剧《我的妈妈在西藏》呢? I think, to shoot a true children’s TV series, the difficulty of not less than shooting long series. Has been director for seven or eight years, directed by the TV series, there are more than 10 sets of more than 70 sets. However, it is the first time that child drama is taken. I do not think this creative field missed, not only child-like taste, but also did not capture the child’s special psychological vision, but also a lack of innocence, worried about making a children’s drama, children looked confused, adult disgruntled . A true children’s play begins with a completely childlike perspective and shows a very interesting and thought-provoking story. As a director, in the whole production process, but also very patiently tap the performance potential of young performers, take the trouble to do demonstration; make a variety of “tricks”, “pull” a small actor roaming into your creative track Come in. However, I am impatient character, the lack of precisely this patience. So, what is the reason for me to accept the filming of the children’s drama “My Mom in Tibet”?