写作者也常有这样的困惑;聪明的前人把世上形形色色的事物都写尽了,所到之处都是别人咀嚼过的东西。真有点“兵困垓下,四面楚歌一的味道,只好作罢。如果真的就此作罢,我断定此人根本与文章无缘。写作者必须会绝处逢生。“山重水复疑无路,柳暗花明又一村”,是此间真实的写照。这是写作者的真本领和独特的思维。正如下围棋,一子被困,看似无望,暗淡无光,弈者运用了种种的手段,诸如弃子、腾挪、巧借、自活等等,竟然使其大放光彩。这是高手的高超所在。这个道理,在写作中已经被千万个文章大家证明了的。这就是“一材多义”. 一材多义,是对同一事物,产生多种主题的交 Writers also often have such confusion; clever predecessors to the world all kinds of things have been written, wherever they are chewed by others. Really a bit “under the trapped soldiers sleepy, betrayal of the taste, had to give up .If you really give up, I concluded that this person simply did not miss the article.Writers must be perishable. Village ”, is a true portrayal here.It is the writer’s real ability and unique thinking.As the next Go, a child trapped, seemingly hopeless, bleak, Yi use a variety of means, such as abandoned child, Teng move, clever borrowing, self-live and so on, even to make it shine. This is the superb master .This truth, in writing has been tens of millions of articles we have proved.This is “a material polysemy.” Material polysemy, is the same thing, produce a variety of themes of the deal