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在中国经典的美学观里,色彩的塑造及搭配我们可以从历代壁画、彩塑、绘画及各种民间美术中看到其特点,无论是汉唐的恢宏,六朝的雄浑还是宋明的婉丽和丰富多采的民间美术,其对色彩的选择大抵受两个方面影响,一是中国本土的五行观,一是由印度和西亚等地传入的“西方美学”。中国人认为和谐的色彩搭配是色彩之间取之于“五行”相生关系,同时又维持色彩强度平衡;对色彩的审美是基于相信色彩与人的运势,心理及生理健康有着紧密的关联,并不是单纯的“好看”。
In the classic Chinese aesthetics concept, we can see the characteristics of the frescoes, color sculptures, paintings and all kinds of folk art in the ancient times, whether it is the grandness of the Han and Tang Dynasties, the vigorousness of the Six Dynasties or the gracefulness and richness of the Song and Ming Dynasties Many folk art, its choice of color is probably affected by two aspects, one is the concept of five elements of the Chinese mainland, one imported from India and West Asia, “Western Aesthetics.” Chinese people think that the harmony between colors is based on the relationship between colors in the “Five Elements” relationship while maintaining the balance of color intensity. The aesthetic of color is based on the belief that color is closely linked with human fortune, psychological and physical health , Is not pure “nice looking ”.