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上个世纪30年代巴金的《家》和90年代刘恒的《苍河白日梦》,同是反映20世纪上半叶家族题材的作品,两者以各自独特的视角和深入的开掘,为我们体察上世纪初的社会与家庭面貌,提供了具有社会历史学意义的切入角度。而这两者在叙事结构上所存在的明显差异,也表征出各自时代的政治与文化思潮的脉动。对比二者结构形态的不同,为我们了解文学叙事的社会、文化、审美和意识形态方面的意义,提供了有价值的文本范例。
The “home” of Ba Jin in the 1930s and the “day dreaming of the Cang River” by Liu Heng in the 90’s are works reflecting the family themes of the first half of the 20th century. Both of them have their own unique perspectives and dig deep into As we look at the social and family outlook in the early part of the last century, we have provided an invaluable perspective on social-historical significance. However, the obvious differences between the two in narrative structure also indicate the pulse of political and cultural thoughts in their respective times. Contrasting the differences of the two forms of structure provides valuable examples of texts for us to understand the social, cultural, aesthetic and ideological significance of literary narratives.