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全国第十一届油画展区在武汉举行,2009年10月16日到18日本文作者参观了武汉的湖北省艺术馆,感触深刻,对绘画有了更具体更真实的认识,体现更为深刻的是画面的完整性,绘画制作的多样性手法。写实绘画仍是这一届油画美术展的主流。从改革开放到现在,中国油画面临着一个十分新鲜而复杂的局面。在艺术观念与艺术形态上充满了矛盾差异与对立,也充满了反思、批判与磨合。在这一届美展中也出现了一批新人,使中国的油画发展实力增强。
The 11th National Oil Painting Pavilion Held in Wuhan, October 16-18, 2009 The author visited the Hubei Provincial Museum of Art in Wuhan for a long time and felt more profound and more concrete and realistic about painting, which embodied even more profound Is the integrity of the picture, the diversity of painting techniques. Realistic painting is still the mainstream of this year’s oil painting art exhibition. From the reform and opening up to the present, China’s oil painting is facing a very fresh and complicated situation. In the artistic concept and artistic form is full of contradictory differences and opposition, but also full of reflection, criticism and running-in. A number of newcomers also appeared in this year’s art exhibition, which enhanced the development of Chinese painting.