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当代作家王愿坚的短篇小说《七根火柴》以红军长征过草地为背景,塑造了一个无名战士的光辉形象。小说在不到三千字的篇什里却用了三分之二的笔墨着重刻画了无名战士的形象。这一光彩照人的形象是通过三幅画面逐步展现在我们读者面前的,本文对此进行探赏。契诃夫在《变色龙》中刻画的警官奥楚蔑洛夫正是沙皇专制警察统治的化身。本文就作品中四次写军大衣这一细节的作用谈点粗浅的看法和认识。
The contemporary writer Wang Yijian’s short story “Seven Matches” is set against the background of the Red Army’s long march pasture and shapes the glorious image of an unnamed soldier. The novel focuses on depicting the image of the nameless soldier with two-thirds of the ink in less than 3,000 words. This brilliant image is gradually displayed in front of our readers through three pictures, which is explored in this paper. Chekhov’s police officer portrayed in Chameleon Ochunvrov is the embodiment of the tsarist dictatorship. This article talks about the superficial views and understanding of the role of the details of the four writers’ coats in the work.