我的童年是在剧团家属院里度过的,小时候经常可以见到许多演员,可以观看他们在舞台上扮演的古今中外各类角色。伴随着改革开放,剧团因为要不断适应社会经济、文化的发展,戏曲在悄悄地进行着变化——逐渐在传统的、地方的、民俗的文化艺术中引入流行的、时尚的、外来的内容,相互交杂糅合,呈现出一种混杂、荒诞和无序的独特审美。如今回想起来感触很深,一直怀有将这种感 My childhood was spent in the troupe’s family’s home, and I often saw many performers when I was a kid, watching the various roles they played on stage, all over the world. With the reform and opening up, opera troupes are quietly changing because they are constantly adapting to the social, economic and cultural development - gradually introducing popular, fashionable and exotic content into the traditional, local and folk culture and art, Mixed with each other, showing a mixed, absurd and disorderly unique aesthetic. Now feel deep in my memory, has been pregnant with this feeling