马振声在写实与写意之间架构全新的笔墨技法,由此极大地丰富了中国水墨人物画的表现力,使中国水墨人物画由传统的对人物精神风貌的表现转换为对人生,人性的人文关怀。 Ma Zhen-sheng in the realistic and freehand architecture between the new brushwork techniques, which greatly enriched the expression of Chinese ink portraiture, the Chinese ink figure from the traditional performance of the spirit of the characters into the human life and humanistic concern .