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陆天明是新时期文学中被主流评论家忽略、但却是非常重要的作家之一。20世纪90年代陆天明的《泥日》《木凸》先后发表并出版,这两部长篇小说极具“超现实”的“魔幻”感与探索精神,其中《泥日》的“魔幻”具有“史诗”追求与大叙事风格、透露出“文化寻根”意味,《木凸》的“魔幻”借鉴了“元叙事”技法、将历史与文化切割又熔铸成民族化的人物心理结构,这两部“魔幻”之作实则反映了作者对1980年代“寻根”文学和“先锋”文学热潮的个性化思考与回应,而作者后来的长篇小说创作则走出了“寻根”与“先锋”的限定,以更为现实质朴的方式继续书写“真正存在过的中国”。
Lu Tianming was one of the most important writers in the literature of the new era who was neglected by mainstream critics. The 20th century, 90’s Lu Tianming’s “mud day” “wood convex” has published and published, these two novels “” surreal “” magic “sense and exploration spirit, including” mud day “ ”Magic “ has ”“ ”Epic “ pursuit and narrative style, reveal ”cultural roots “ means, ”magic “ draws lessons from the ”meta narrative “ technique, Cultural cutting also melts into the nationalized psychological structure of the characters. The fact of the two ”magical “ reflects the individualized thinking and response of the author to literary upsurge of ”root-seeking “ and ”pioneer “ in the 1980s, Later, the author’s creation of novels goes beyond the definition of ”root-seeking“ and ”vanguard“ to continue writing ”the real China" in a more realistic and simple way.