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西汉扬雄从文学理论的角度提出“书为心画”的观点,后为书法理论所转用。这一理论经过从注重书家内在精神特质,到叠加后天学识修养,终至偏重伦理化、功利化的道德标准,渐次完成了自身的理论构建。“书为心画”所代表的传统书论,内在的存在着书艺与书品离合相悖的矛盾,同时也呈现出道德引导和标准伦理化的双重效应。
From the perspective of literary theory, Yang Xiong in the Western Han Dynasty put forward the idea that “the book is the heart of the painting” and then the calligraphy theory. This theory has gradually completed its own theoretical construction after paying attention to the inner spiritual characteristics of the calligrapher, to the superficial knowledge and accomplishment, and finally to the ethical and utilitarian moral standard. The traditional book theory represented by “The book is the heart painting” has inherent contradictions between book art and book clutter, and also shows the dual effects of moral guidance and standard ethics.