本文对中国当代实验建筑的一些重要艺术家如张永和、王澍、汤桦、赵冰等及其代表作品进行总结分析阐述,指出中国当代实验建筑对于中国汉字书法、太极等的转借多是停留在形式的创新,对于中国传统建筑元素的运用渗透着强烈的迎合西方的色彩。中国当代实验建筑一直处于边缘化的原因在于没有共识与目标。 This paper summarizes and analyzes some important artists in contemporary experimental buildings in China such as Zhang Yonghe, Wang Shu, Tang Hua, Zhao Bing and their representative works. It points out that Chinese contemporary experimental buildings mostly stay on the borrowings of Chinese calligraphy and Taiji In the form of innovation, the use of traditional Chinese architectural elements permeates strongly the colors of the West. The reason why China’s contemporary experimental buildings have been marginalized is that there is no consensus or goal.